FUNCTIONAL CHARACTERISTICS OF STYLISTIC DEVICES AND NEOLOGISMS IN LITERARY TEXTS: A CASE STUDY OF “1984” BY GEORGE ORWELL AND “A FAREWELL TO ARMS” BY ERNEST HEMINGWAY
Abstract
This article analyzes the functional characteristics of stylistic devices and neologisms used in the literary works of prominent representatives of 20th-century world literature, namely George Orwell and Ernest Hemingway. The study explores the role of newly coined lexical units (neologisms) employed by the author in the novel “1984” as a means of social control and ideological influence, as well as examines the author’s individual style, conciseness, and expressiveness in the work “A Farewell to Arms”. The research is conducted within a linguo-stylistic framework, applying a comparative analysis of the stylistic features of both authors. The findings of the study contribute to a deeper understanding of the aesthetic and semantic functions of linguistic means in literary texts.
References
1. Hemingway, Ernest. A Farewell to Arms. New York: Scribner, 1929.
2. IvyPanda. “Language in Orwell’s 1984 as a Means of Manipulation and Control.” 2023. Retrieved from https://ivypanda.com
3. Leech, Geoffrey, and Michael Short. Style in Fiction: A Linguistic Introduction to English Fictional Prose. London: Pearson Education, 2007.
4. Orwell, George. 1984. London: Secker & Warburg, 1949.
5. Simpson, Paul. Stylistics: A Resource Book for Students. London: Routledge, 2004.
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